The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.

A man is surprised by the arrival of a meteorite in his room.

In the near future, the “method” controls the health and freedom of society. The life of neuroscientist Mia Holl, who is loyal to the system, changes abruptly when her brother Moritz Holl is wrongly accused of murder and imprisoned. In the fight for truth and justice, Mia begins to question the system and becomes the hunted herself.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Program focuses on the lasting appeal and cinematic brilliance of The Ladykillers. Included in it are clips from interviews with broadcaster and author Stuart Maconie, film editor Catherine Shoard, actor and writer Reece Shearsmith, and author Ronald Harwood, amongst others.

Two students are hired by the mafia to clean up crime scenes. On the last day of work, a problem: a body is not 100% dead.

A bizarre love comedy about a bullied schoolboy Kotaro. His problem is the eyeballs – not the normal pair, but the additional pair that pops up from his nose whenever he gets nervous. Needless to say, girls usually run away screaming.Tashiro is a fanboy director whose films are full of references (e.g. Kotaro gets self-confidence by watching The Toxic Avenger on VHS) and insider jokes. There’s also an amazing cameo at the end of the film.

Love and political passion shared between an activist and his punk singer girlfriend goes to extremes as violent repression pushes them over the edge.

Body Language is an American game show produced by Mark Goodson Productions. The show aired on CBS from June 4, 1984 until January 3, 1986, and was hosted by Tom Kennedy. Johnny Olson announced until his death in October 1985; Gene Wood and Bob Hilton shared the announcing duties afterward, and had substituted on occasion before that.The show pitted two teams against each other, each consisting of a contestant and a celebrity guest. The gameplay centered around the party game charades, in the same vein as the earlier Goodson program Showoffs, but contestants also had to solve word puzzles to win money, making Body Language a cross between Showoffs and Password Plus.