One dancer, one body, one phone. In a time of collective alienation and technological mass control, one woman rediscovers her soul and reclaims her mind. A short, experimental self-portrait composed of 100 video screens, Corpus and the Wandering transcends the walls of a fragmented grid system to uncover the shared humanity in each of us, and our place in the cosmos.

The subject of this film, which takes an analytical look at the life of all of us with an analytical eye, is the evil microbe that has slowly infiltrated the organism of the Czech nation. Through the intertwining fates of three couples, it evokes domestic life before November 1989, burdened by a suffocating atmosphere of unfreedom, and after November, when relatively nothing has changed because people have not changed. The bleak conclusion suggests that the plague epidemic is still ongoing.

A man is surprised by the arrival of a meteorite in his room.

In the near future, the “method” controls the health and freedom of society. The life of neuroscientist Mia Holl, who is loyal to the system, changes abruptly when her brother Moritz Holl is wrongly accused of murder and imprisoned. In the fight for truth and justice, Mia begins to question the system and becomes the hunted herself.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

Program focuses on the lasting appeal and cinematic brilliance of The Ladykillers. Included in it are clips from interviews with broadcaster and author Stuart Maconie, film editor Catherine Shoard, actor and writer Reece Shearsmith, and author Ronald Harwood, amongst others.

Two students are hired by the mafia to clean up crime scenes. On the last day of work, a problem: a body is not 100% dead.

Terrence McNally’s Corpus Christi is a play retelling the Jesus story, with Jesus as a gay man living in the 1950s in Corpus Christi, Texas. This documentary follows the troupe, playwright, and audience around the world on a five-year journey of Terrence McNally’s passion play, where voices of protest and support collide on one of the central issues facing the LGBT community: religion.

They are very different, but they have one dream - to reach heaven. The famous Moscow stand-up comedian Ilya Pogorelov was publicly accused of lying by his ex, and now he needs to "just" survive. And the shy provincial Sanyok wants to break out of his cocoon and live for real at least a little. By chance (or providence), Sanyok and Ilya set off together on a journey to the sea to find themselves, make their dreams come true and find love. The duet "Pogorelov and Sanyok" formed along the way will travel across the floor of Russia, blow up TikTok, make millions laugh and move - make hearts beat faster and remind you how to enjoy life.